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IASPM 2014: Take It or Leave It! Copyright, Creators and Commercial...
Kenny Barr, University of Glasgow Many unsigned bands covet the ‘badge of honour’ of signing a deal, regardless of how unfavourable its terms may be. ABSTRACT: This paper scrutinizes the role of...
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IASPM 2014: Morals, Meaning and Money: Popular Musical Copying in the Age of...
Eminem’s favourite session players. Adam Behr, University of East Anglia ABSTRACT: At the root of copyright’s legislative reach, and practical effects, is the matter of ‘copying’ itself – often...
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IASPM 2014: The condititions of musical creativity and diversity
John Street, Dave Laing & Simone Schroff, University of East Anglia STIM are looking out for european songwriters’ income (but giving 12% of it to other songwriters). A good thing for culture?...
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IASPM 2014: Taste-Making and Curation in the Portland, Oregon Music Scene
Portland has a diverse music scene with a lively gig culture and many active venues. Sam’s had difficulty choosing where to go each night for his research! Sam Murray, PhD student, University of...
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IASPM 2014: Glasgow is a Village: Social Enterprise in the Popular Music Scene
Glasgow is a Village: The Role of Social Enterprise in Propagating the City’s Popular Music Scene Monorail records – an influential part of the scenes that Bob discusses in his paper Robert Anderson...
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IASPM2014: Music for a Museum: An Insider’s View of the Collaborative...
Making Music for a Museum: An Insider’s View of the Collaborative Creative Process The forthcoming 2015 Tindersticks album containing some of the co-created music. Dan McKinna (BIMM) ABSTRACT: To be...
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IASPM 2014: ¿Dónde está: The Creative Role of Alfreda Benge in the Music of...
¿Dónde está: The Creative Role of Alfred Benge in the Music of Robert Wyatt Robert and Alfie (the knife is due to the fact that she was chopping onions shortly before the photo was taken, and the image...
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IASPM 2014: Pip, Pep, Pap, Pop: Art, Trash, Tin, Trouble
Pip, Pep, Pap, Pop: Art, Trash, Tin, Trouble Keir Keightley ABSTRACT: One of Andy Warhol’s earliest Pop art paintings, “Campbell’s Elvis” (1962) is a visual mash-up that combines two kinds of...
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IASPM 2014: Vocal Style and the Southern Man
Tim Wise, University of Salford The Hillbilly/redneck stereotype, as portrayed in Easy Rider (1969) ABSTRACT: Although America’s south has long been associated with political conservatism and...
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IASPM 2014: Gendered Taste in Country and Americana Music Communities
Survival, Revival and the Negotiation of Gendered Taste in Country and Americana Music Communities Dave Robinson, Leeds Beckett University Loretta Lynn: “The Coal-Miners Daughter”, married at 15 and...
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